Sunday, March 25, 2012

Steel - "Heavy Metal Machine"

Given that my metal fandom began with Opeth (not counting the inevitable Metallica phase), it was essential for me to at least check out this release, which features multiple Opeth members as well as the acclaimed Dan Swano on vocals. The music here is an enthusiastic tribute to '70s heavy metal and '80s power metal with an attitude reminiscent of Judas Priest, Accept, and the like.

At first listen, the music here is enjoyable to the average metal fan, with catchy hooks and the beloved heavy metal attitude defining the sound. However, while I would still consider the music enjoyable, it is ultimately lacking as one might expect from a tribute band with no personal vision. Steel's demo is found lacking specifically because it is essentially the opposite of famed heavy metal releases like Awaken The Guardian, Sad Wings Of Destiny, or King Of The Dead; the riff structures, despite producing genuinely catchy riffs, are as basic and mundane as possible as if written and recorded in a few short minutes, and each song is essentially structured like a hit single with no depth of songwriting. Additionally, Dan Swano's status as easily the most overrated metal vocalist of all time is detrimental to the demo - Swano was average at best in Edge of Sanity, Nightingale, and other projects, and his attempts here at power metal wails recall none of the glory of John Arch or Harry Conklin.

Ultimately, Heavy Metal Machine is a subconscious attempt to appeal to the metal mainstream as all of its quality is expressed upfront in simplistic catchy riffs and stripped-down song structures; it fails to further reward listeners with consecutive listens as albums of the highest quality do.

Friday, March 16, 2012

Alcest - "Les Voyages De L'âme" - Some Thoughts...

Les Voyages De L'âme is the perfect example of timing and context playing a significant role in one's enjoyment of an album. Several positive factors are in place here as they are in previous Alcest albums; the guitar tone is surreal at times, and some of the melodies are relatively infectious as well. The key issue with this album is that Alcest, who previously have developed entirely new aesthetics for each of their previous albums, really do nothing new on this record. The clean guitar tone is slightly modified, being a sort of middle-ground between the tones on Souvenirs D'un Autre Monde (speaking in vague terms, Souvenirs had a "spring-time" aesthetic) and the more celestial sound on Ecailles De Lune. Likewise, as far as melodies and other musical elements are concerned, there's nothing new to be seen on this album; again, Niege merely haphazardly combines elements from his previous works.

All of this is not meant to imply that an artist cannot maintain the same general sound and still release quality material, but the other important issue with Les Voyages De L'âme is simply that most of the material is not as memorable as other well-loved Alcest tracks. Voyages is the only Alcest record that I can't vividly remember after listening. However, while not as powerful and inspired as Niege's other records, Voyages can still be an enjoyable listen, whether ultimately memorable or not; "Autre Temps" and "Beings Of Light" specifically are up to scratch.

Monday, March 12, 2012

"The Heavy Metal Awards"

Here are a few "bests" that everyone should hear:


Best Metal Band: Slayer
http://www.youtube.com/watch?v=xtwOoMlwD8w


Best Metal Album: Judas Priest - Sad Wings Of Destiny
http://www.youtube.com/watch?v=EKSU1W0ZUmQ


Best Metal Song: Bathory - "A Fine Day To Die"
http://www.youtube.com/watch?v=iHFBsvJA4HM


Best Metal Riff: Judas Priest - "Tyrant"
http://www.youtube.com/watch?v=aFkLedEX6Qc (@ 2:00)


Best Doom Metal Song: Candlemass - "Solitude"
http://www.youtube.com/watch?v=woe_4gkS4XU


Best Thrash Metal Song: Infernal Majesty - "None Shall Defy"
http://www.youtube.com/watch?v=eRpT61_R86A


Best Death Metal Song: Miasma - "Baphomet"
http://www.youtube.com/watch?v=UkZy6gywfIE


Best Black Metal Song: Burzum - "Det Som En Gang Var"
http://www.youtube.com/watch?v=MBll5LyMnAw


Best Metal Instrumental: Dead Congregation - "Martyrdoom"
http://www.youtube.com/watch?v=liJx2R2FqX4


Best Metal Guitar Solo: Metallica - "Ride The Lightning"
http://www.youtube.com/watch?v=GI8xrnOrftM (@ 2:45)
Note: This could've gone several ways; I just picked one...


Best Metal Scream: Hail - "Let The Wolves Lead You To Satan's Glory"
http://www.youtube.com/watch?v=SJbXJB_e9Mg (Let it build up from 8:00)


Most "Metal" Song: Destroyer 666 - "Australian And Anti-Christ"
http://www.youtube.com/watch?v=Fbp6WqzoO0o

My Top 20 Albums Of All Time - As Of 3/12/2012

For the last few weeks, I've been thinking about getting back into blogging; however, very few albums have inspired me to write hundreds of words in description of them. Also, while my knowledge of other forms of music is rapidly growing, my expertise is still found in heavy metal, so I don't exactly feel qualified to speak on the behalf of certain albums. Thus, here is a simple post to get me started again without going into too much detail. More extensive reviews on request.

In order, and always subject to change:

1) Rubber Soul - The Beatles
2) Sad Wings Of Destiny - Judas Priest
3) Blackwater Park - Opeth
4) The Dark Side Of The Moon - Pink Floyd
5) Fas - Ite, Maledicti, In Ignem Aeternum - Deathspell Omega
6) Lateralus - Tool
7) Stormcrowfleet - Skepticism
8) An Accidental Memory In The Case Of Death - Eluvium
9) Hell Awaits - Slayer
10) Within The Realm Of A Dying Sun - Dead Can Dance
11) Watching From A Distance - Warning
12) Harvest - Neil Young
13) The Lord Of The Rings: The Fellowship Of The Ring - Howard Shore
14) Moonmadness - Camel
15) Black Sabbath - Black Sabbath
16) The Queen Is Dead - The Smiths
17) Led Zeppelin - Led Zeppelin
18) Ride The Lightning - Metallica
19) Disintegration - The Cure
20) Odessey And Oracle - The Zombies


Dead Congregation - "Graves Of The Archangels"





It is the year 2008, and, following its heyday in the early ‘90s, death metal has become quite stagnant over the last ten years. A few bands including Immolation and The Chasm have remained consistent through the late ‘90s and into this decade, and a handful of newer bands such as Funebrarum, Necros Christos, or Slugathor have arisen in attempts to revive old school death metal; however, the scene remains but a shadow of its old form. Thankfully, an exception to this standard now exists with the release of Dead Congregation’s Graves of the Archangels, an album that effectively recalls the listener to the glory days of occult death metal.

Graves of the Archangels is primarily influenced by the early works of NYDM legends Incantation and Immolation, with downtuned riffs and pinch harmonics in the vein of Immolation’s Dawn of Possession and doomy breaks and low guttural vocals reminiscent of Incantation’s Onward to Golgotha or Mortal Throne of Nazarene. For instance, the final minute of “Vanishing Faith” bears similarities to Immolation tracks such as “Into Everlasting Fire” while the interlude of “Source of Fire” may remind listeners of the similarly doomy section of Incantation’s “Christening the Afterbirth.” 

Despite these obvious influences, Dead Congregation’s music is not entirely devoid of originality. Firstly, this album is more varied as a whole than its primary influences; where the early doom-influenced death metal bands including Autopsy and Asphyx as well as Incantation and Immolation all delivered brutal chunks of death metal in the form of ten or eleven consecutive 3-5 minute songs, Dead Congregation offers a more uniquely structured debut. The album deviates from standard extreme metal by the inclusion of an opening instrumental, two lengthy tracks, and even an abnormally brief track.

The album begins with the five minute instrumental “Martyrdoom” that contains three separate movements in which the lead guitar slowly builds on the dissonant and foreboding rhythm track with eerie leads until the track culminates in an ominous chant over noisy guitar feedback. This chant foreshadows the upcoming aural assault as four traditional fast-to-mid-paced death metal tracks immediately follow. After these four tracks, the album may seem to be a mere mimicry of Incantation and Immolation blended together aside from the unique “Martyrdoom”; however, the title track enters next to highlight Dead Congregation’s creativity and songwriting ability. Clocking in at eight minutes, the track begins with another foreboding chant before plunging into several minutes of non-repetitive and flowing death/doom. Following this track is the brief one-minute onslaught entitled “Subjugation”, an entirely fast-paced piece contrasted with the monolithic title track. Finally, following “Source of Fire”, the lengthy outro “Teeth Into Red” wraps up the album with another helping of pure death metal followed by a repetitive tremolo-picked riff that showcases the band’s black metal influences as well as death metal influences.

In addition to its musical merits, Graves of the Archangels also has essentially flawless production. The guitar tone is more thick and lively than that of early Incantation releases while not being as suffocating and dense as later Immolation or Ignivomous. The vocals are morbid and near indiscernible as death vox should be, without being overly guttural as is the case with brutal death metal. The drumming is neither too loud nor too quiet.

In summary, while Dead Congregation brings nothing groundbreaking to the table but another take on the styles of doomy death metal legends, their execution is simply perfect, to the extent that, if one were to disregard historical relevance and examine only pure musical quality, Graves of the Archangels would easily rank amongst the best of the classics.